Description of the painting by Paul Cezanne “Smoker”

Description of the painting by Paul Cezanne “Smoker”

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The painting belongs to the brush of Paul Cezanne, who lived and worked at the same time as the impressionists. At the same time, the artistic searches of Cezanne and the impressionist artists (such as Monet, Sera) were very different.

The creator of The Smoker was not interested in the need to convey a direct impression of the subject. He also did not limit himself solely to the issues of color design of canvases, directing his experiments in search of new ways of depicting. And the “Smoker” reflected this search.

In his later work, Cezanne repeatedly painted static figures of people. This tradition dates back to the 17th century artists who created portraits of map players and smokers. However, on the canvas of Cezanne there is no plot, amusement, which was so characteristic of the old masters.

No characteristic household details are observed here, despite the obvious routine of Cezanne's chosen topic. This is not surprising, because The Smoker (as, incidentally, many other canvases by the French artist) is marked by the influence of modernism. The artist was not at all interested in the nature of the model; far more important to him was her form, as well as the color scheme.

Cezanne, like a sculptor, creates step by step the figure of a smoker, giving it the features of majestic monumentality. In the same way, he acts with what surrounds the smoker, including his own still life, placed in the background of the canvas.

The main motive of the picture is detachment from everyday, vain affairs, the artist’s desire to abstract himself, to move away from hateful specifics. This motif is manifested in the character’s eyes that are not drawn in detail, which only reduces the degree of viability of the picture, making it a very interesting example for Cezanne’s “plastic” painting.

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